DVX-200 vs Ninja V Scene 1 and V-Log L
How do the ProRes codecs compare to the internal H.264 codec in the DVX-200? I compare the Scene 1 and V-Log L options in a controlled environment and outside with a blue sky and tree to test dynamic range, color, and color banding.
How do the ProRes codecs compare to the internal H.264 codec in the DVX-200? I compare the Scene 1 and V-Log L options in a controlled environment and outside with a blue sky and tree to test dynamic range, color, and color banding.